Min-Wei Ting explores the politics of space and the complex dynamic of belonging in his native Singapore. Working primarily in video, he navigates the fast-developing city state focusing on sites that hold historical, political, and social significance, from the ubiquitous public housing estates to spatial management protocols enforced on the migrant workforce. His films enact intimate gestures of protracted observation and slow movement, adopting a first-person perspective where a tension between embodiment and disembodiment is often at play. His work has been presented in art spaces and film festivals such as The Substation (Singapore), Singapore Art Museum, International Film Festival Rotterdam, and Singapore International Film Festival. In 2019, he was shortlisted for the Berlin Art Prize.